Associate Professor of Musicology
Rebecca Maloy specializes in early Medieval music, with interests in plainsong traditions, music theory, and the interaction between theory and practice. She is the author of Inside the Offertory: Aspects of Chronology and Transmission (Oxford, 2009) and a facsimile and commentary on a 12th-century theoretical manuscript. She has published essays in Early Music History, Journal of Musicology, Studia Musicologica, and the collections The Sequences of Nidaros: A Nordic Repertory in Its European Context and The Offertory and Its Verses: Research, Past, Present and Future. She holds graduate degrees in musicology and flute performance from the University of Cincinnati College-Conservatory of Music. Her current projects deal with the transmission and reception of theoretical sources and with aspects of Old Hispanic chant, including a book in collaboration with Emma Hornby, Compositional Planning and Musical Grammar in Old Hispanic Chant.